Thursday, November 23, 2017

Talking Turkey

Local turkeys sold out this year up in Wendell. At over $3 a pound, it's hard to believe that fowl such as this would be in such high demand. But there's a reason to pay top dollar and there's a reason you're eating Butterball. Tom, a turkey from Wendell, agreed to talk turkey about life on the farm in Franklin County.
ValleyLocavore: So are you a male or female?
Turkey: You talking to me?
VL: Yeah, I'm looking at you, aren't I?
T: I'm a tom, a male turkey, also known as a gobbler. They named an entire country after me. Ever been to Istanbul?
VL: I'm doing the interviewing here. So tell me about the farm.
T: Where's my doughnut?
VL: How did you learn to talk?
T: How did you? I'm up in Wendell right now at a turkey farm where they sell chickens, pies, turkey pot pies and eggs, plus some other local stuff like cider donuts.
VL: What's a typical day like for a free range turkey?
T: Get up early, do some reading. I like Michael Pollan. Go out and range a bit with the other birds, eat some feed, drink some spring water, go online.
VL: You seem to have a lot of time on your hands. Are you free ranging?
T: We're in and out of the "free-roam" coop. I can't complain.
VL: Pretty crowded?
T: Not bad. I get out, but nobody sees me.
VL: What do they feed you?
T: We get water from a spring in Wendell, grain and some corn from Williams Farm in Deerfield. No growth enhancers or hormones.
VL: So you guys go for over $3 a pound, whereas a supermarket turkey is under a dollar a pound and sometimes turkeys are given out free at work.
T: Where do you work?
VL: Back in the day, factory workers were given a turkey every Thanksgiving and every Christmas.
T: Yeah, and they sold mashed potatoes at the automat.
VL: Nice attitude.
T: I'm just glad I didn't make the cut this year.
VL: How come you didn't make the cut?
T: I hid under an old Ford out back where I can pick up wifi from the neighbors' house.
VL: Nice. Don't they count the birds before slaughtering them?
T: It's called "dressing." No time for that… around the holidays it's pretty busy and they run this place very well. You might want to read some Michael Pollan if you want to learn more about turkeys and how food is produced in general.
VL: I've heard of him. Didn't he write about being an omnivore? A skinny guy, looks kind of like a tur—..skinny guy?
T: Michael Pollan teaches journalism at Berkeley in California. He wrote The Omnivore's Dilemma in 2006 and then this year he wrote In Defense of Food. The first book explains what it is we're eating by looking at four ways to eat: industrial food— McDonald's, for example—organic food, alternative food, and foraged food. The other book is a straight-talk approach to figuring out what to eat. He says that we should eat food, not too much, mostly plants, and don't touch anything your grandmother's never heard of, like "whole grain white bread" or "tofurkey."
VL: Why do eaters need a manifesto? I like to forage as much as the next person, but "manifesto" is a fighting word.
T: Pollan calls it a manifesto because we have to take food, literally, into our hands and out of the hands of agribusiness, factory farming, the "man," whatever you want to call it. That crap will either poison you or make you fat or both.
VL: Tough talk.
T: I'm a turkey, a tom. If you want to hear a bedtime story, talk to a Butterball.
VL: Right. If you had to use one word to say why local turkey is better than Butterball, what word would that be?
T: Blood.
VL: Blood?
T: Yes, blood.
VL: In terms of slaughter?
T: "Dressing!" And, no, that has nothing to do with it. When turkeys or any animals get a lot of exercise, the blood is closer to the bone, which makes the dark meat. And that is where the flavor is. With the snowy white breast, there's not so much taste, not to mention it's squishy. But the dark meat… that's where we keep it real.

Sunday, October 8, 2017

Introduction, or L is for Love

I once bought a bag of granola in California made with lavender and love. There were other ingredients listed on the package but “love” came first. I consumed the granola while standing on the banks of Tomales Bay. It didn’t taste like love. It tasted more like going to a fancy party where, because the light isn’t so great in the bathroom, you eat dried flowers by mistake.

I am here to tell you, there is such a thing as too much lavender. Love, on the other hand, that’s a whole other bag of granola.

Wednesday, March 15, 2017

Cooking with Carly: Wild Kitchen Class Series

Meet and eat over 30+ wild edible and medicinal plant species 

Explore both time-honored and innovative
techniques for harvest, processing, and preparation 
Taste a wide range of flavors to enhance your everyday cooking and diversify your diet.

Learn easy ways to weave wild foods and plant medicine into your routine


For questions or to request an application contactCarly@wearewildfood.com 

More Details Here! 
Sign up deadline April 22nd

Tuesday, March 14, 2017


From Take Magazine 

BUILDING BRIDGES, CROSSING BORDERS THROUGH ART

  


Maine’s isolated Tides Institute and Museum of Art encourages artistic collaborations between artists and between countries.
Created on the Bay of Fundy in the tiny town of Eastport, Maine, the Tides Institute and Museum of Art (TIMA) established a wet-foot dry-foot policy early in its inception. All artists would be welcome to show their work and do residencies whether they came from the U.S., from over the border in Canada, from across the mile-wide strait from New Brunswick, or from across the Atlantic Ocean.
That was 15 years ago. Today TIMA and the town of Eastport—population 1,200—are riding high on art and innovation due to the imperative of their locale.
“We developed a Maine and New Brunswick [Canada] task force in 2010 so cultural leaders on both sides of the border could talk and meet. It’s the reason we started the institute,” says Executive Director Hugh French, who is one of TIMA’s founders. “There is too much of a tendency of stopping at the border in the U.S. and Canada while artists are crossing the border. It’s silly not to follow them.”
Interior of TIMA’s 1819 North Church Project Space with large scale installation, “Undertow,” by artist, Anna Hepler. Project space has 23 foot high vaulted ceiling and exceptional acoustics. Photo by Allison Osberg.
Interior of TIMA’s 1819 Free Will North Church Project Space with large-scale installation, “Undertow,” by artist, Anna Hepler. Project space has 23-foot high vaulted ceiling and exceptional acoustics. | Photo by Allison Osberg.
Eastport is located on Moose Island and connected to the mainland by a causeway. It sits at the entrance of Passamaquoddy Bay on the border of Canada and is at the most eastern part of the US. It’s a place you might expect to be a little sleepy, at least when it comes to the arts and innovation. But you’d be wrong.
TIMA, whose studio, museum and housing for artist residencies overlook the U.S./Canada boundary, is a beehive of artistic activity. Community renewal, an active residency program, and an aggressively diverse permanent collection are just a few of the parts that make up the institute’s game plan. That diversity is also one reason funding and artists are drawn to the space, French says.
“Early on we felt we had to operate on different interests. Architecture and history, for example,” says French. “Our collection includes painting, photography, architectural elements, a historical collection and a strong interest in contemporary work. We foster new work. That is the reason for our residency program—so contemporary work can be created here.”
Tides Institute and Museum of Art
Tides Institute and Museum of Art| Image courtesy TIMA
Last year’s TIMA’s residency program had nine artists—six from the U.S. and three from abroad. This year the program will host 10-12 artists. This summer a two-year collaboration between Portland, Maine photographer Shoshannah White and Halifax interdisciplinary artist Charley Young will have its premiere in an exhibition in the 1819 church now known as the Free Will North Church Project Space.
TIMA’s main building was the organization’s first regional revitalization effort, a strategy of cross disciplines that began 15 years ago when the organization began. “The long-term effort started with tackling a threatened crippled building in the center of downtown,” says French. “We put $1.2 million to bring the building back. Now we have six buildings.”
Tides Institute and Museum of Art New Year's Eve sardine drop | Image courtesy TIMA
Tides Institute and Museum of Art New Year’s Eve sardine drop | Image courtesy TIMA
Although Eastport is physically isolated, TIMA and the community are not. The populace comes together every year for “Artsipelago,” an event that includes galleries, chefs, and ferries. To celebrate yet another year of tides, TIMA annually organizes the New Year’s Eve Maple Leaf and Sardine Drop. During that popular event, a giant red maple leaf is lowered at midnight Atlantic time (11pm EST) to commemorate the Canadian new year while a brass band plays “O Canada.” An hour later, when the New Year reaches the States, an 8-foot sardine is lowered as the band plays “Auld Lang Syne.”
TIDES INSTITUTE AND MUSEUM OF ART – MUSEUM
EASTPORT, MAINE
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TOP IMAGE: VIEW FROM THE TOP OF TIMA’S MAIN BUILDING WITH A VIEW OF EASTPORT’S DOWNTOWN AND WATERFRONT – ALL OF THE ISLANDS IN THE DISTANCE ARE IN CANADA. | IMAGE COURTESY TIMA

Friday, February 10, 2017

School Lunch Expose

School Lunch Expose
Revenge of the Lunch Lady is Jane Black's astonishingly well researched account of what happened to school meals in Huntington, West Virginia—after Jamie Oliver left.
Surprise: They got better!
The subtitle explains why: “How an unassuming bureaucrat outsmarted Jamie Oliver and pulled off an honest-to-god miracle in one of America’s unhealthiest cities.”
--Marion Nestle





"He built a gleaming cooking center in a long-empty building downtown. He introduced a range of made-from-scratch school dishes—beefy nachos, tuna pasta bake with seven vegetables, rainbow salad with creamy dressing. And he did righteous battle with the unimaginative bureaucrats who seemed to want kids to keep eating the same sludge." --Jane Black, author of "Revenge of the Lunch Lady."  Read her HuffPost overview here.... 

Thursday, February 9, 2017

Take Your Marks! Get Set! Grow!


English Shelling Peas



The American Farm Bureau Foundation is holding a First Peas to the Table contest again this year and it starts Feb 20!  

Grades K-5 compete in a pea growing contest using no more than 20 pea seeds (English shelling peas). 

Whichever class grows the most peas (in cups) by May 15 wins a visit from Miss America 2017 Savvy Shields!
foundation@fb.org